How do we design glasses that you can wear all day, not just to take a photo?

Jak projektujemy okulary, w których można chodzić cały dzień, a nie tylko zrobić zdjęcie?

How do we design glasses that you can wear all day, not just to take a photo?

We live in a visual era. A photo will sell almost anything, but it can't tell you if the frame will start to feel tight after three hours. We start where others leave off: with proportion and comfort. For us, color is last.

Stage 1: The foundation is the face, not the catalog

We begin with a solid and facial analysis. The form must be clean, legible, and have a stable topline. At this level, we check:

  • the position of the eye in the glass field – for vision and aesthetics,
  • width of the front – so as not to widen the face,
  • eyebrow line – so that it naturally “sits” at the front.

If there is harmony on paper – only then do we go into the material.

Stage 2: Comfort You Can't See on Instagram

These are decisions you can't photograph, but you feel after an hour:

  • front inclination angle – adjusted to the face profile,
  • the length and width of the temple – so that it does not fall or press,
  • a place for the optician to work – so he can adjust the frame to your needs.

Effect: one pair for the whole day – computer, car, evening.

Stage 3: Craft and Character

Once proportion and comfort are assured, we add craftsmanship:

  • noble acetate with depth,
  • full metal core in the temples,
  • precise, 7-arm hinges.

Only at the end – color. It's meant to accentuate the design, not save it.

Summary

Glasses "for taking off" are made quickly. Glasses "for the whole day" require a process. Our order is fixed:

  1. first the proportion,
  2. then comfort,
  3. finally, character.

That's why YOU-NICK frames are simply worn.

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